Is all sound music?

“For me music is a thing that affects the way we live, sound is made up of vibrations in the air and air is something we cannot live without. So music, quite literally, is carried by a source of life. Music in my opinion vibes off of life and is affected by it and affects it all the same.”--- Brandon Gray, 2012

My views, thoughts, and ideas about what music is, why we use it, and what it does for us as a human race is ever changing. So when I recently heard this statement by one of the greatest modern thinkers of our time, I couldn’t help but to continue in the way I think about music, but I also evolved a little further. I have always known and felt that music was a huge part of my life and a big part in other people’s life whether they realize it or not, music affects us in many ways and it also sustains our life in a sense. We are constantly listening to music, it is playing over the speakers at the stores we shop in, the elevators we wait in, and it comes standard in the vehicles we drive. Music is projected to a crowd at sporting events, concert halls, and also sang and played in our churches. We listen to it seamlessly from our phones, digital music players, tablets, compact disc players, and computers. We have a hard time finding a place where there is not music playing. Harder still is finding somewhere to escape to that sound is completely non-existent, if our tympanic membranes are working correctly, silence literally cannot be found.  

John Cage wrote about this after visiting a silent chamber: “It was at Harvard not quite forty years ago that I went into an anechoic [totally silent] chamber not expecting in that silent room to hear two sounds: one high, my nervous system in operation, one low, my blood in circulation. The reason I did not expect to hear those two sounds was that they were set into vibration without any intention on my part. That experience gave my life direction, the exploration of no intention…..”---John Cage, 1990. 

Cage showed, not only is there no such thing as silence, but this non silence is realized in concert halls by coughs, sniffles, movements of the crowd, the entertainers and even the building itself, see 4'33". It can also be noticed in the hum of our computers while listening to music digitally, or the noises around us as we drive through the city with music playing and the windows down. But do these extra sounds hinder or add to our musical listening experience? Would it feel weird if we heard absolutely nothing but the sound we wanted to listen to? If you listen to Indeterminacy, a spoken word piece by John Cage and David Tudor, Cage talks about a women coming up to Tudor and asking him to play his piano piece again with the windows in the room closed so the traffic would not interrupt the music, he responded that he would replay the piece, but having the window closed would have no different effect on the music then when they were open. So it seems that the music we make as humans is wholly inspired by extra or unexpected sound.

We all have our preferences on what we like to hear while listening to music, some like the Pop genre, some Hip-hop, some Jazz, while others Rock n Roll, some still prefer Classical, Country-Western, Noise, or Electronic, some like myself enjoy a great variety of all of these genres, plus many more genres, sub-genres and a variety of other sounds. All music genres feed off one another, and all of them essentially start with random sound, but to make random sound classifiable it has to be collected and manipulated until it reaches tones, timbres, pitches, volume levels, and or rhythms that are pleasing and understandable (this will sound different to different people). So could we say that someone who experiments with found sound is experimenting with the roots of classifiable music? Yes, but that would not then in turn make these experiments not music because they still pose some form of tone, timbre, pitch, volume, and or rhythm. Just because sound cannot be classified does not make it non-music. To say someone embarking on an improvised  (not written down or unable to write down) sound journey is not playing music is absurd, yet many people have this interpretation. If you are beating on a drum, or beating on an old keg you are making music. If you are pulling at the strings of a harp or on professional wrestling gym ropes, the sound is still music. Furthermore if you are chanting quietly or screaming loudly, you are making sound and in turn making music. There is no way to separate sounds and say this is music and this is not. Therefore if one type of sound is music say the blowing of a trumpet, then all sounds must be music, such as the infamous piece of Yoko Ono, flushing a toilet "Toilet Piece".

Music is how we interact with others, it can change our mood, evolve our ideas, and even help us become closer to God; Saint Augustine says “For he who sings praise, does not only praise, but also praises joyfully; he who sings praise, not only sings, but also loves Him whom he is singing about/to/for. There is a praise-filled public proclamation in the praise of someone who is confessing/acknowledging (God), in the song of the lover (there is) love.” Music is our life, it sustains us in everything we do, whether we like it or not. Without music, we in some ways, many ways, are lost. So as the old African proverb goes “If you can talk then you can sing, if you can walk then you can dance.” So sing and stomp your feet, both of which are making music. Whether you are good at playing an instrument or singing, does not pertain to if you are making music or not, so even if your music will not go platinum in record sales, play it. Making sound intentionally or unintentionally is our life, it is how we communicate. It is the after effect of us breathing, our movements, and our ideas put into action, classifiable or otherwise. 

Digital music files a love/hate relationship.

I love listening to music on many different formats: vinyl, cassette, reel to reel, and 8-track tape, even compact disc. The idea of holding a tangible object, putting it on or in the applicable player, and then being able to read the liner notes while also gazing at the artwork fascinates me. 
So predictably I have a love/hate relationship with Mp3's, WAV's, and other digital music formats. Let us list the hates first. 

Hates: Digital music files play with lower quality sound; they also allow you to listen to music virtually anywhere which takes away from the idea of sitting down and actually listening to music. Digital music is extremely easy to steal without getting caught which takes away from music sales, in-turn musicians are less likely to produce quality music in the future. If people do purchase digital music they are limited in what they are able to buy, iTunes, one biggest sellers of digital music files only has about 1% of the worlds recorded music available. Lastly digital music does not come with fancy, beautiful, sometimes collectable jewel cases or cardboard vinyl slip cover protectors, which makes the idea of having a music collection almost pointless, you cannot have collectable digital music files. 

And now the loves.

Loves: Digital music files are portable, you can run/walk, drive, work, and do so many other active things with your entire music collection on a device the size of a half dollar. Digital music has brought the rise of many user friendly file sharing websites where artists both good and bad, signed or unsigned, popular and not can share their music for free, for purchase, or both. There are many people without the money, space, or the mental capacity to have music collections of compact discs, vinyl or cassette tapes and are required to listen to music on digital music players. Etcetera.

Most of these points are self explanatory, however I would like to expound on a few of them.

File hosting and sharing sites such as Soundcloud, Bandcamp, and Drip, just to name a few have opened up brand new ways for people to bring out their musical creativity. Soundcloud a music hosting site where artists signed or unsigned can upload their music on a stream listening format, that artist can then make the track available for download or even set a link so listeners can purchase the song from iTunes or Bandcamp.  Because someone cannot play music well, or does not have the money or resources to release a music project on CD or vinyl, does not mean a barrier should be put up for them to not play or share their music with others. Music is for everyone, it should be played by everyone. Drip.fm is also a very interesting site and new way to share digital music, where record labels are making their catalogs available to fans by a monthly subscription. For example you sign up for Stones Throw Record Label  on Drip for $10.00 a month and you get every single new release (and some old ones) from that record label downloaded straight to your inbox whether you like it or not. Interesting concept.

For people that are unable to have large music collections because they are in nursing homes or have a small amount of living space there are wonderful organizations that exist to help people in those situations bring their favorite music to them in the form of digital music. Many amazing results are seen through this process, some people are healed, “come alive”, and are highly impacted by this music and amazing results are seen. In the past I have donated to Music and Memory ; check out their website to watch videos on how music heals people, even digital music. My favorite is Henry. Like stated above, when digital music files are condensed into smaller files, you lose sound quality, there is a GREAT article about that Here. The rest of the reasons do not need to be expanded on.

All this said I have a digital file music collection, a vinyl collection, a compact disc collection, an 8-track collection, a reel to reel collection and a cassette tape collection, if I had to give up any of them; digital music is defiantly going first. However if I ever have less space or eventually end up in a nursing home, I will always choose music, even if I cannot physically touch it.  

Impractical Cockpit

Continuing my list of music I picked up last month on Record Store Day is an album by a New Orleans group Impractical Cockpit called, To Be Treated. This one I got from my third stop at Everyday music (Downtown Portland location). Because I had been living in California for 14 months I have not had the chance to go record shopping since back in Portland, Everyday Music had changed their whole store around. The checkout area had moved, the genres moved, pretty much the only thing that seemed to be in the same place was the classical music section and the listening station. I did my rounds, looking through the electronic music section first, select artists in the Hip-Hop section, and then ventured my way to the Experimental vinyl section after browsing through the Record Sore Day releases. Here in the Experimental section I found Impractical Cockpit. I had never heard of this band though supposedly they have released five albums before To Be Treated, the one I stumbled upon. The listening station had a line, and I did not feel like waiting, so for $6.00 I decided to give it a try based on it's cover and it saying on the vinyl it self that it featured a track with a trumpet, I love trumpet! I am split on this album, most of it is grungy, crappy singing, and simple drum beats. On the other hand, there is wonderful noise, beautiful soundscapes, and some fun randomness. The most abstract yet my favorite of the album is called North 41° 53' 0" - Longitude: West 70° 45" 46' some noise and other weird sounds, while a small group of people yell out what seems to be random numbers, you can listen to that song and some of their other, here. There is defiantly way better noise and experimental music out there. I would not recommend this record to anyone at least not as a great release. But for six dollars it was worth the risk and from the enjoyment I get from North 41° 53' 0" - Longitude: West 70° 45" 46', I am happy.

Also at Everyday Music that day I picked up the Quakers album I blogged about weeks ago "They're here to shake the foundations". I was super excited for the instrumental versions and they did not disappoint. But I must say I was pleasantly impressed by the originals as well. Great album, plus I found the double CD for $8.50 used!

Portland Cello Project

The Portland Cello Project's Record Store Day release Homage is amazing! Plus it is on orange marble vinyl and limited to 350 copies worldwide. I stopped at Music Millennium early in the morning and could barely make it upstairs to the vinyl section. The already narrow aisles of the store had now turned into squirming, snaking, lines of music lovers all waiting to purchase the music they had carefully yet hurriedly selected. After browsing the vinyl for a few minutes I realized I did not want to stand in the ever growing line that was already at least a forty-five minutes long. Because of this, I passed up on the Portland Cello Project (PCP) vinyl as well a few other selections, assuming that I would find them elsewhere. After visiting Anthem Records, Everyday Music (which I figured would have PCP), I was lucky enough to get one of the last copies at Jackpot Records. I am excited I found it, it was the only record on my list that I really "needed". It is that good. Portland Cello Project has three other albums on Compact Disc, Homage is their first on vinyl. A non-limited version of the vinyl, plus a CD copy can be found on their web store. PCP's style is based on upon the idea of playing cellos in a way your normally wouldn't hear cellos being played. For Homage specifically the idea was to interrupt Hip-Hop instrumentals. On this album a few of the songs they tackle are by OutKast, Talib Kweli, even Lil Wayne's hit Lollipop is covered. Most of the songs stick to the original, however certain tracks take on a life of their own and you would never realize it was a play on another song. Many of the songs feature drums, trombones and other orchestra like instruments. PCP's crew is always changing depending on who is available for tour, and it is rumored that they have over 900 songs to choose from when they play shows, therefore no show is ever the same set. Earlier this month they played a concert of Pantera covers exclusively. I could go on and on about the group, but if you would like ore info about Portland Cello Project it can be found here and here. Homage, best buy of the year so far, will probably finish out the year as the best buy.
Next review will be on John Haughm.

"They’re here to shake the foundations."

The Quakers get their name comes from earthquake, a 35 member Hip-hop group that focuses on three producers: Fuzzface, 7-Stu-7 and Katalyst. You can read more about them here. 
I love instrumental music, Jazz, Classical, Hip-hop beats, Noise, Electronic ect. so it goes without saying that when amazing producers and composers make music with lyrics I love when they release the instrumentals of the original songs. Normally this takes months or years to come out with the instrumental only albums, but Quakers are releasing their debut album with both the original and instrumental versions 2 CD or 2LP  formats. Split evenly originals on one disc instrumentals on the other. 
From what I have heard from them the music is amazing. Touching on Big Band Horn Jazz, Electronic, to everyday Hip-hop. I pride them for being creative and finding a wide array of rappers, but sometimes I don't want to here someone rapping about stuff I don't care about, let the music speak. Poetry in music is creative, encouraging, and inspiring, it has its time and place. With Quakers they are letting us choose what we are in the mood for. Check out a few of their tracks here, if you like what you hear, buy the album!